If you’re confused about my web address, it’s okay

I finally got around to changing my blog’s URL to dtgriffith.com, because, well, that’s my name. The old address, xzistenz.com, still forwards here you, so no need to change bookmarks, links and whatever other strange things that might exist out there I probably don’t want to know about.

I’ve decided to keep the xzistenz name in the blog header for old time sake. I’ve only owned the name since the late 1990s, can’t walk away from it now. Back in the day when everyone use pseudonyms on message boards and AOL because that was the cool thing to do.

So here’s to the old sticking around and the new progressing forwarding. I’d raise a glass of Kraken if I had some nearby but that’s another medical mystery. I hope James Powell sees this and raises one for me.

Best regards and enjoy the holiday season that’s upon us Dropkick Murphys style!

Meanwhile, at the abandoned asylum….

And here’s a copy of The Bestiarum Vocabulum for you, and another for you….

Credit: Tim Dry

More info on Western Legends Publishing.

Amazon.com | Amazon.co.uk

Featuring my story “I Is For Imp: Ma’s Good Boys”

My latest story unleashed: Ma’s Good Boys

The Bestiarum Vocabulum edited by Dean M. Drinkel

The Bestiarum Vocabulum edited by Dean M. Drinkel, cover illustration by James Powell

So I thought I would write a proper post abut this new published story, “Ma’s Good Boys.” It falls under the header “I Is For Imp” in the new anthology The Bestiarum Vocabulum, edited by Dean M. Drinkel, published by Western Legends.

“Ma’s Good Boys” follows a day in the life of one tragic George D. Giovanni, not just a good son, but a great son to his late mother, bless her soul. A series of jolting revelations are suddenly sprung on him as a little imp appears in the house he inherited from Ma and causes all sorts of mischief.

This story was a lot of fun to write, mixing elements of horror, humor, and absurdist scenarios. I hope readers will enjoy it as much as I did creating it.

Check out this list of authors, including some Hellraiser and Star Wars alumni, among new and established masters of horror:

Emile-Louis Tomas Jouvet, Jan Edwards, Martin Roberts, Lisa Jenkins, Peter Mark May, Raven Dane, Joe Mynhardt, Rakie Keig, D.T. Griffith, Mark West, John Palisano, Amelia Mangan, Robert Walker, Christine Dougherty, Tim Dry, Nerine Dorman, Dean M. Drinkel, Christine Morgan, Tej Turner, D.M. Youngquist, Jason D. Brawn, Lily Childs, Andy Taylor, Sandra Norval, Adrian Chamberlin, and Barbie Wilde.

You can find it for sale on Amazon at the following links:

Amazon US: Paperback | Kindle  •  Amazon UK: Paperback | Kindle

More info on the book can be found here on Western Legends Publishing.

Announcing the release of The Bestiarum Vocabulum

Excited about my latest story publication, “I Is For Imp: Ma’s Good Boys,” appearing in the new anthology The Bestiarum Vocabulum, edited by Dean M. Drinkel. I thoroughly enjoyed writing this story, mixing humor and dark situations. Can’t forget the horror elements!

dtgriffith's avatarWestern Legends Publishing

The Bestiarum Vocabulum - cover spread

Western Legends is proud to announce the second publication in the Tres Librorum Prohibitum series, The Bestiarum Vocabulum. A collection of 26 horror and dark fiction stories about 26 different beasts of various legends and folklore.

Authors:

Emile-Louis Tomas Jouvet, Jan Edwards, Martin Roberts, Lisa Jenkins, Peter Mark May, Raven Dane, Joe Mynhardt, Rakie Keig, D.T. Griffith, Mark West, John Palisano, Amelia Mangan, Robert Walker, Christine Dougherty, Tim Dry, Nerine Dorman, Dean M. Drinkel, Christine Morgan, Tej Turner, D.M. Youngquist, Jason D. Brawn, Lily Childs, Andy Taylor, Sandra Norval, Adrian Chamberlin, and Barbie Wilde.

Cover illustration by James Powell

Edited by Dean M. Drinkel

Now available on Amazon.

Amazon US

» Paperback
» Kindle eBook

Amazon UK

» Paperback
» Kindle eBook

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From the Creatively Oblivious to the Self-Aware

Never underestimate the power your mood holds over your creative work. I put mood up there with inspiration and incentive. Good moods lend themselves to producing good work, great moods for even better work. However, bad moods not only lead to poor work, but unfinished and post-deadline deliveries, and that’s why you need to take notice.

Self-awareness is a valuable attribute for anyone producing creative work. It should be part of the standard art school curriculum alongside other relevant subjects including psychological health and well-being, placed at the same level as Art History and Aesthetics. A holistic approach to a positive mindset can mean the difference between success and failure in the creative business.

Artists carry a stigma of brooding and general moodiness in American culture. An unfortunate contradiction to the celebrated and enlightened artist found in other cultures around the world. Perhaps this is because their efforts go unnoticed and under-appreciated in our society where hype is valued above integrity. Think summer blockbuster films and the huge overpriced video game releases each holiday season. The brooding artist stereotype does a wonderful disservice to creative folk of all types, as any other stereotype does. It will only change if enough artists consistently present themselves in a more positive light.

In the spirit of giving, because that’s the popular phrase to toss around at the moment, here are my suggestions on building your self-awareness to avoid becoming creatively oblivious. All actions that I have found to work well for me and I hope will benefit you too. By the way, I wasn’t intending to turn this into a touchy-feely confidence-boosting self-help thing; that would be so out of character for me.

You can’t change the people around you, but you can change whom you are around.

If someone else’s actions or behaviors are negatively affecting yours, do yourself a favor and remove yourself from the situation. Be respectful and respectable. Don’t pick a fight or complain. Don’t even consider trying to change the person to meet your immediate needs. If another person inquires about your removal from a situation, respond honestly about your needs with everything else in this paragraph in mind. Do not unload your frustrations unless you’re itching for a fight.

I bet you didn’t already know any of this. Right? Maybe in a different context. Or it has gone forgotten.

Recognize that you have full control over yourself.

Don’t be an ass towards others about your creative needs. Respect is key here too. Treat others no different than you expect them to treat you. This is groundbreaking advice you should have learned in kindergarten and from the people who raised you, even if wolves raised you.

Establish your creative space.

You need your quiet alone space. An environment you have complete control over where you can shut the door and not be disturbed. Where you can blast the Dropkick Murphys, Rihanna, or the Boston Pops when the mood hits. Where you can write by candlelight and an open window during a thunderstorm or paint under a full spectrum balanced floodlight rig. Whatever works. You’re full in control, and if you complain, do yourself a favor and punch yourself in the gut and stop complaining.

Pay attention to the quality of your work. Always.

Now you don’t want to enter the bad practice of editing as you create, that will stunt your flow and productivity. It’s expected that a first or rough draft is far from perfect, so let it happen, be shameless. However, as you revise and edit, take notice of how the work is shaping up. Is the quality sub-par in comparison to your usual output? If so, take a look at yourself; chances are the problem lies in your outlook. Straighten it out before you get back to work. Remember, you are in complete control. The same applies to writer’s block or other analogous scenarios in any medium.

Don’t spend your energy venting frustrations to others, use that energy for your art.

You woke up on the wrong side of the bed this morning? That’s nice. No one wants to hear about it at work or the coffee shop or the bar. Seriously, no one does. Don’t bother trying. Refocus that kinetic energy toward your creative work. Take that anger, frustration, sadness, anxiety, whatever; fashion it into a galvanized six foot spike and drive that passion into your art so hard the room is splattered in a colorful array of your creative juices. It feels great!

Whether you choose to take my advice or run amuck with your brooding self, just remember: the quality of your work is effected by how you feel.